Ain't that some sh*t? This years best movie (drama) award is a Western Gay flick by some Chinese guy.
American cinema rules.
Fobs give the greatest acceptance speeches. Terse, extremely grateful, unknowingly funny and whenever the audience laughs, they laugh too. Sweet bunch. Ang Lee, what a rock star.
American cinema rules. Though, I just saw Motorcycle diaries and I haven't seen cinematography like that in American films. Landscapes and horizons like that aren't shot here. Someone in pottery said that the backgrounds in Brokeback Mountain are truly like that in Montana and Wyoming. It was filmed in Canada but I'm Asian and it's a class so I don't speak.
Some of the best American movies were not filmed domestically. Why is that? Money? There was a class at NYU called the Politics in Hollywood, I wish I took it.
American cinema rules. It's the only country so devoted to rigorously categorizing movies into genres. The one thing all American films have in common is that they all belong to a genre. Aside from documentaries (and even they have an identifiable tone), you look up any American movie and it's either comedy, drama, horror, or thriller/suspense. Even biopics fall into one of those as if someone's life was entirely humorous. Lately, due to cable and home box office, the line between comedy and drama is being blurred yet a sense for one still prevails and the movie is labeled as such. We've been conditioned this way that we even movie hunt with the categorical sentiment, "I feel like a comedy tonight." It is an art that we methodically classify. The pure irony of organized art. For people who know little about a type of art, typifying it makes it easier to consume.
Ever look up 'art' in the dictionary? I just did. There were 22 definitions. One of the defintions is: what anyone defines it to be.
No other country is so relentless to presribe a nomenclature to their motion pictures. Cheers, tears, and jeers, a movie is made with less concern which way it will be labeled in other countries. Some people might prefer this type of indiscriminate film making. They're called jazz people. No true understructure of melody, rhythms are flexible, improvisations of chords don't always lead to a pattern yet it all somehow harmonically comes together. And like jazz, foreign films ultimately do fall under a genre but they make it and then label it whereas American films label it then make it.
American cinema rules. No other country incorporates and delivers satirical messages the way American movies do. Our affinity for rancor and wry humor is boundless.
I do, however, also appreciate Bollywood, Hong Kong, and Latin films. I took a one credit elective course in college on Bollywood. Bollywood films, pretty funny stuff. I watched a lot of Hong Kong, Chinese, Taiwanese films growing up, my brother was a fanatic. They're well-crafted in their choreography and their acting is heavy. Latin movies redefine sensualities and what's sexy in a simple existence. They also show shots of The Americas that makes you want to buy a Vespa, some goggles and hit the open road. A major Hollywood producer once said, "if the film has no money, then the actors really have to act."
When asked the ever-so-common question, 'what kinds of movies and music do you like?' There's the ever-so-safe answer of 'I like them all. I listen/watch all kinds.' I do too, however, American cinema rules.